[Hebrews] 1

This setting of Psalm 42 is a dramatic multi-section choral work masterfully scored for SATB choir and organ with an integral cello part. Rich with text painting and varying moods, singers and listeners

This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The

Hildegard of Bingen's text on the virtues of love shimmers in this serene setting that serves as the second movement from "Illuminare." Opening with a section of treble divisi, the lower voices enter as the

Using the composer's hymn tune FENBY, this is a majestic setting of James Quinn's paraphrase of Psalm 117 for choir, organ, and brass quartet. Foursquare rhythms, a fluid sense of tonality, and an

A dramatic poetic text inspired by a third-century Egyptian hermit is the inspiration for this choral setting that displays flowing melodies, luscious harmonies, and vibrant piano accompaniment. With a

The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,

The second movement of the trilogy Divine Encounter is based on Micah 6:8 and is a regal and stately expression of our gratitude. As we partake of God's bounty, we are urged to offer ourselves as

The third movement of the trilogy Divine Encounter is a benediction based on the traditional text from Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the

This large-scale anthem creatively adapts the text O God, Our Help in Ages Past and pairs it with exciting original music that incorporates fragments of the tune ST. ANNE. A soaring melodic refrain

Psalm 46 comes to life with musical text painting that supports the dramatic shifts in mood within the psalm. A lyrical unison line sings of the trials of the world and then shifts to dynamic choral

This anthem is prayer for God's justice to live out as a part of our lives, both personally and throughout our culture. With optional orchestration, this new hymn setting will fit many places in a worship

The text by Stephen P. Starke calls us to go forth with God's blessing with each new life challenge. The choral writing is solid, and the optional flute adds color. Use for a farewell or retirement

The original text is set to a tuneful melody that floats between the upper and lower voices in this gentle anthem. The organ accompaniment lends support to the singers, and the optional handbell part adds

Based upon a cherished passage from Romans 8, this is composed in a verse-refrain format that allows for flexibility of performance: cantor or soloist, choir, or assembly. The result is a nicely varied

Commissioned for the coronation of King Charles III and Queen Camilla in 2023, this anthem was first performed by a massed choir including the Westminster Abbey Choir with the Coronation Orchestra. Using

The beauty of this arrangement is in the two ancient texts included for vespers or evening prayer and one to be sung as a hymn to the Trinity. This anthem is doubly useful for many occasions throughout the

This jubilant concertato is based upon a newly composed hymn and Psalm 150. The call-and-response texture between choir and congregation encourages ease of teaching, and the organ accompaniment and solo

Based on Philippians 4:48, this setting evokes themes of comfort, love for God, God's love for us, peace, prayer, praise, and thanksgiving. The melody is joyful and expresses gratitude in worship. Parts for

This festive setting of Zephaniah 3:14-17 for organ and optional brass quintet with timpani reminds us that God is always with us. Bringing a joyful message that is appropriate for general use during the

Using themes of forgiveness and peace, this song is ideal for Lent and reconciliation services or where a time of reflection is desired. It begins in unison and adds harmony on each verse, culminating in